microtonal serialist
guitarist,
electronic
creator of music
anonmist
Experimental Album Works 3 years in the making
500 gigabytes of audio
Listen to the new Art
cITIZENS
oNTOLOGICAL
mUSIC
aGENDA
new York
listen in o|n
oNTOLOGICAL
rASTA .
, fILMPOSSE
*FREE DOWNLOAD* see track listing
below
WHY DID I CLOSE MY YOUTUBE ACCOUNT?
TO PROTEST THEIR 10 MINUTE
LENGTH LIMITATION!
THE MOST VIEWED VIDEO SITE IS SEVERELY AGAINST ANY MUSIC
OVER 10 MINUTES LONG! THIS IS NOT ART! YOUTUBE SHOULD RECONSIDER ITS TIME LENGTH
AND THEN I AND MANY MORE ARTISTS WILL RETURN TO THE
SITE.
MP3 CD Player
Necessary
Or Computer Stereo
osseocartilinageous
junction is an upcoming anonmist release into the ether of artzone and
progenysis. it is about duality in space and time and the very existence
of promethean courage and defeat. excellence in the making, art-mist is
dissing up old school wanna be space track tape music and fitting it in
with a touch of classic late 70s and 80s Iannis
Xenakis.
A very
promethean exploration into the truth
of color and sound as one art.
Using new microtonal
art scales previously
unavailable to classic avant-garde composition
authors,
Anonmist is the digital forerunner analogue
that will be releasing a new
book: Nothing Solid
of vibrational excellence.
LIVE AT
ABC NO RIO C.O.M.A. July 27 '08 (50mb MP3)
A
selection of digital art media of sound from the past three years using
very
Please Click to Learn More About C.O.M.A. And Blaise Siwula
little
equipment, only what was at hand at the time including a personal
computer-laptop,
a small digital voice recorder and more recently a
Fostex Field Recorder for
better quality.
Hoping to shatter
peoples approach and concept of serialism and microtonality
in the age of
personal computers and digital sound by eliminating theory that
binds and
searching for the most freeing theoretical approach while retaining integrity to
the Fathers of Music
within the relevancy found in the years surrounding 2000 and
beyond.
Utilizing the latest
available CD format and length.
Equivalent to 23 Audio discs or 5 MP3
discs.
right click "save target as"
All MP3s are
224kbps
105 Tracks
"Something For
Everybody"
I
26mb The opening track. A wonderful track now that I can
relax and listen to it more normally, instead of critically analyzing it while
listening for those purposes, I enjoy it a lot more. In fact it
has
everything I want to hear in Musical Art, that is an element of relaxation and
trance, yet a
hard edge and difficult approach to the way a person can hear
music as it is. Features several
microtonal scales in
opposition.
II
8mb A microtonal bass-synth solo. Chosen for its
simple display of the potential of the scale
approach I have discovered and
welcome everyone to use for themselves. Taking away much
of the mystery
of scale systematics and going forward toward the ear and science of listening
in
harmonic music and polyphony, reducing aesthetic pleasure down to numbers
of math within the
computer system.
III
111mb Over an hour in length this is an important work to
me. The layout and form of the time
within this work is what makes it
important. When listened to all the way it seems to have a profound effect
on my concept of linear progression of time. In such levels of
experimentation
even it is beyond my grasp at this point to fully understand
or know exactly what this work means. It has been chosen for this album
called 'art' because of its distinctive time division. This work features
voice samples, microtonal scales and microtonal LP
scratching.
IV
5mb A mysterious selection containing special
transposeable light scales into sound waves. Be sure to turn up the
volume!
V
30mb Originally called "Timbre 5" taken from a late
night piano improvisation where I was using intuitive chords. As I
would
think the notes I would play them and it began to get more and more
towards very new sounds such as N chord, T chord, U and
more. This is
where the chords appear more sideways upon themselves rather than being stacked.
It creates such a feeling!! 12-tone scale used although many microtones
will be present in the over and under tone series
involved.
VI
11mb A collage approach featuring separately recorded
guitar, reverse guitar and piano. Not necessary to combine parts that are
specific to each other because of an all inclusive theoretical standpoint on
harmonic language involving rhythm, meter and sympathetic
vibration.
VII
17mb About spiritual space and the celestial realms.
A journey into God.
VIII
6mb Great microtonal jam. What can I say but this
is a nice and short piece to display the beginnings of a search to find the
ultimate reality of sound with microtonal serialism and
beyond.
IX
1.6mb A short driving microtonal interlude. From what
I recall it is a equal tempered scale possibly 30 tone edo.
X
30mb Unreal extreme easy going microtonal sound collage
mix electronic tape digital sound selector. Intense music with a relaxing
atmosphere. Attempting to create new brain patterns and keep them.
Features some electric guitar in a free music style and many microtones
from several scales.
XI
12.7mb A really good selection of sonic landscaping.
Very enjoyable. It has a good flow.
XII
104mb A LOUD noise art selection. Originally called
called "Vivid Memories of Scantron" it has many microtones and sounds compiled
together for a large sympathetical vibratory elevation and space reality in
sound. Mellows out towards the end.
XIII
15mb Something extermely unusual more along the lines of
Yurnolo with strangest singing and modified-banjo. In this mix is a
microtonal track along with the "banjor" instrument plus improvised
vocals.
XIV
24mb Features a cool guitar solo over microtonal
landscapes. Other events within the track may also occur leaving much up
to your ability to creatively listen and imagine new ideas involving clouds and
other cool things.
XV
31mb A very good example of color wave scales. This
features a slowed down selection from the original color wavelength scales
adapted directly and not conceptually to the music
range.
XVI
24mb Something more mellow check it out. Good prep
for the next track.
XVII
25mb Originally called "Thanksgiving" because it was made
on the holiday. Used a step generator in experimental capacities and this
neat cut resulted. Intense.
XVIII
49mb A sister track to 12 (Scantron) this is called
"Rut of the Goad." It is similar in many ways yet has a completely different
middle section of swells that are very organic and very loud. Bringin digital
into the natural realm apart from its
computations.
XIX
67mb Opinions on works will change. Subconcious
exploring, memories, dreams, the actual trans-verbial reality and transmutation
of sound from matter and the many different dimensions of subconcious, spiritual
awakenings, the process. Beyond
knowing.
XX
9.9mb I really like this because it has a elated, free
feeling to it. Instead of working to create arts I found out it was much
better to become first and then whatever comes out of me is the art. Let
me say that again. Instead of creating something using formula, rules, or
inventions and ideas and working to go along with a plan, I figured out that it
is better to become. So by becoming what you are by finding yourself
inside to the deepest realms you can go through any means available then
everything you create will be a product of your soul and your own personal
activation and becoming rather than an idea or something external. A whole
book can be written on this topic to help the world to be freed from everything
that enters in to their mind by showing that there is a better place to create
from that is from the one who has become the art. I always know that pure
natural surroundings even to the depths of a forest or my goal, a rainforest
will provide more insight into reality than a book or image. This piece
works out so nicely because it is mostly raw energy from my soul nothing was pre
planned (I can't argue that my other works are) but this one in particular has
several sections and gives me deep emotional response that I can't exactly
identify. If you think that I may have chosen the guitar to fit over
something at the right moment that is impossible to do. I have not
contrived this its more or less just a product of my belief system as mentioned
in this section. Peace!
XXI
10mb An interesting question to note is the track before
(XX) and this one are only one second different in length. I am wondering
personally the reason. Who knows. My methodology expanded a lot when
I got more hard drive space to work with. Initially I had 150 gb which at the
time was the most I had ever used prior to that probably 40 gb was a lot.
So part of this exploration is to show the listener and thinker that
personal computing has gotten to the point of arrival. It is possible to
create massive works on the computer that are above and beyond art music from
the days of tape in scope as far as the technological aspects are concerned.
When I got to 500gb storage I felt like it was infinite. It took
about 3 months to completely fill it with audio files. That is a lot of
time in music about 1000 CDs give or take. That was the main process in
this album of collected works that it got to a point where remixing, editing and
processing .wav files could no longer be accomplished (in the
systematic-non-systematic puishar methodology I have discovered most beneficial
and progressive). It was then that I knew without doubt that the art album is completely done with.
This is another great example of my music.
-Anonmist
XXII
12mb
My God Mabel I Swallr'd Red-Devil Lye. I Had to
Hold My Nose She Was Ripe!
A little
on the scratchy/peak'd out side but you can see why it is fun to distort
digital. A guitar
recording done right before the Puishar genre starts which
is almost completely symmetrical but
still has some open string basis as
reference points technically. Originally recorded on a
small
dictation tape machine running my clear acrylic Samick guitar
into a small toy amplifier for
distortion. Yes, "Hexidecimal
Pallettes."
XXIII
21mb A really cool track. I'm not giving away the
sound sources. It is very esoteric and from some past recording.
Also features some over dubs of microtonal music from my own scales I have
discovered in nature.
XXIV
15mb Strictly about the transfer of color to sound
directly without the use of music theory. Simply thought it would be best
to find the way to transfer the scales directly into another spectrum.
You can repeat the color spectrum over the audible range or you can alter
it by stretch which is more realistic. More on this to come! Hope you
enjoy this hallucinogenic thought of
precision.
XXV
5mb This could be your wake up call.
XXVI
11mb A precious classical art music creation.
XXVII
21mb Definitely this is one of the coolest tracks on here.
Just listen to the slowed down torks. Ludicrous realism. Prepares
you for the following track like a dream.
XXVIII
9mb Audeocom. Taken from a found tape. To me it is
about the world system which I find disturbing. It's something to think
about. Maybe this is not art. Maybe this is not art. Maybe
this is not art. But I still find it entertaining. It flips a coin:
one side is the serious on the other side is the ludicrous. I would even
say that things like this are in fact
satanic.
XXIX
185kb A short segue into the Audeocom remix following.
Worth a download.
XXX
9mb Ahh ofcourse Audeocom PT2. Same track basically
as XXVIII except with a fretless banjo as
commentator.
XXXI
38mb Yes one day I decided to do some field recording.
I strapped my digital field recorder to my body and took a 10 mile bike
ride
around town. It dawned on me that day that doppler effect is
really not doppler effect its just like a guitar string with an slide or
glissando. This in turn brought about some new theoretical existentialism
that made me have a lot of imagination! More about triangulation in sonic theory
later on!!!
XXXII
2mb Used a synth keyboard, turntable (just a regular one
not a special DJ type) also has some microtonal digital input from computer
source. There's also some excellent piano work and some voice.
XXXIII
20mb
A great example of Anonmist Microtonal Serialist
understanding of harmony and the relationship of tones as individual sonic
foundations in and within themselves rather than the use of a key to determine
distance and desirability. Instead the space of reality is opened up to
include all distinct and countable pitches by frequency by the computer.
To find out more information Nothing Solid will help lead the way toward a
more defined outlook on the Microtonal progression towards the future of fine
music by eliminating theoretical waste that is binding up compositional teachers
currently because of their neglect of the true music masters who have known
about color, light and sound as well as the possibilities of a realized
microtonal method that is not based entirely on the old-world methodology of
temperament and tuning which predates the works of J.S. Bach, not to mention the
Fathers of Experimental Avant Garde.
XXXIV
39mb
For me it started out in high school. I checked
out a book from the media center called History of Avant Garde Music. It
still fascinates me now how they had that book. Like it seems by destiny
and not by chance that it was there for me to study from and have a completely
mind opening experience beyond the realms of rock and metal. I of course
had heard classical music by then, but I had no idea at all about classical
avant garde music. I did a whole research essay for English class based on that
book. It started with Debussy Prelude to Afternoon...and that piece will always
have a mystique about it for me since the book was so intriguing to me.
After that it got into Schoenberg and Pierrot Lunaire, sure enough those
pieces including Chamber Symphony No 1 op 9 by Schoenberg along with Pierrot
Lunaire Robert Craft conducting changed my outlook into serious Western music a
few years later. Still to this day I get the same excitement and absolute
artistic thrill to be inside the mind of the music of the avant garde.
This piece is not about anything in particular but to try to do what I had
been obsessing over for months during this recording process and subsequently,
mix down and remastering. That is, of the idea of doing something that you
can't think of, something impossible to think of. So you think of that and
do that which you cann't think of. I think this work completely encompasses
something that on the surface seems thinkable until you ponder what that means
in a more contextual or non confusing outlook on the way things work in many
many realms of thought.
XXXV
7mb
XXXVI
138mb
XXXVII
18mb
XXXVIII
25mb
XXXIX
8mb
XL
247mb
XLI
4mb
XLII
8mb
XLIII
9mb
XLIV
1mb
XLV
48mb
XLVI
5mb
XLVII
56mb
XLVIII
35mb
XLIX
5mb
L
5mb
LI
38mb
LII
52mb
LIII
16mb
LIV
42mb
LV
55mb
LVI
5mb
LVII
3mb
LVIII
11.6mb To be honest things like this scare me I can't even
listen to them at night. Actually this piece is completely on its own
because for one thing I used only a millimeter of my own actual thinking the
rest came about on its own without intervention or meditation on my part.
I can't tell you what it is except that it was a low rate audio file that
I upgraded inorder to MP3 encode it from 8khz to 44khz. To me it reminds
me of an alien voice in and of itself actuality because I believe and can prove
to a reasonable extent that every thing and every voice is itself from a source
and not from a unique identity.
LIX
4mb
LX
5mb The power of ionic salts as a musical scale in their
transformed audible invention.
LXI
12mb
LXII
9mb
LXIII
19mb
LXIV
731kb
LXV
12mb
LXVI
131mb
LXVII
12mb
LXVIII
27mb
LXIX
48mb
LXX
38mb
A classic variation of art. Many
microtones.
LXXI
13mb Mystery music and mellow tones of life. Guitar w/
delay.
LXXII
5mb
One of three variants of the same input into a
different but related ion/laser temperament or microtonal tuning via the use of
electronic technology and the personal
computer.
LXXIII
107mb Over 1 hour in length. Starts with Occular Tuned
Temperament Laser Hondo II electric guitar with Yamaha 13 pin midi pickup...Then
goes into killer harmonized electric guitar. Then some clean electric
improvisation. Then at the very end a unique use of banjo in doppler
expressions.
LXXIV
57mb
Magnum opus. Puishar Cymatics.
Vibrational symphony of the electronic day. All inclusive serialism.
3 tones.
LXXV
53mb High Level Avant Garde. Sorry folx it is best
not to mix avant garde with other styles. This is pure art. (There
is no real avant garde!)
LXXVI
43mb
Adventures into
identity.
LXXVII
5mb
One of three variations of the same input file
into a different yet similar ion laser microtonal
scale.
LXXVIII
65mb J.S. Bach Art of the Fugue.
LXXIX
44.5mb One of the earlier virgin recordings straight
imrpovisation to disk of the Occular Tuned Electric Guitar before the Synth
Apparatus was installed. Love it.
LXXX
19mb Somehow Charles Manson and a really tense sounding
mood scape came together on recording. I think the result is so emotive I
saved it and replayed it back a few times to open this very strange sounding
musical art. Goes into an alien microtonal
world.
LXXXI
3mb Have you heard this hit song on the radio?
No!
LXXXII
20mb A symphonic realization created on the spot with a
synthesizer. To me it gives back what I have taken inspirationally from
some of the greats of the symphony.
LXXXIII
345kb Short Prelude.
LXXXIV
15mb Electric Guitar
solo.
LXXXV
14mb The original audeocom found tape in completion.
Sped up for todays fast world! <jovial
sarcasm>
LXXXVI
4mb While learning to tune the piano I did some recording.
For me tuning the piano and temperament is some of the highest level of
musical theory and listening. Peace.
LXXXVII
45mb
UNREAL
LXXXVIII
68mb
The hidden processes of water on the planet in
the early morning how the day is created, the things that man can never
learn.
LXXXIX
17mb
Something of a
memory.
XC
6mb Unbelievable.
XCI
4mb FUN
XCII
34.6mb Sympathetic Vibratory Musical Art. Tuning
pianos teaches you that the strings are never independent of each other and want
to vibrate towards unison. The same thing goes for abstracting the string idea
in general. The doppler effect I discovered is just a string being divided
by the car and its distance between two points of that string. All harmony
is tri-modal in this artistic musical sonice realm because that is what I have
known to be true that three modes together will prove themselves to be
fulfilling the art of polyphony and you will see more to come out of that
when you continue seeking what is reality for example you will see a pattern
come about that is non-repetitive scale sections of two or three notes.
XCIII
54mb Transcendent piano / keyboard improv. Glad to
share with all the extra available time with
MP3.
XCIV
18mb Sample from Youtube UG Krishnamurti at death.
Totally great and insane clip barely needs anything else to complete
it.
XCV
51mb The Puishar Sound. It's language, it's denial of
theory for the reality of nature and sound harmonics. Sympathetic
vibration and the easy route to proverbial
dissonance.
XCVI
6mb Microtonal ufos or something like
that.
XCVII
112mb Seasons in the snake pit. A weird long length
cut.
XCVIII
6mb Noise art. It is amazing how our journey is not
just now but also past and future within the constant N O W
.
XCIX
161mb Length is 1 hour 38 minutes. The purpose of
long length files is to stretch the limits of technology, to bring people who
are interested in going further in their conception of artistic time and
relaxation and listening into longer places, to give you the audience more
options to find things that you enjoy and things that you do not. This track
features electric guitar solos based on the concepts of puishar composition and
style with the electronic microtonal serialism concept and sonic
art.
C
12mb Mind Deprogrammer. Advice Use headphones and
cover the eyes.
CI
32mb
A piece that uses the input from others. This is one
of the earliest electronic works in microtones I did before my understanding of
light waves as sound came into play. I believe this is in an edo scale
such as 36 but am not sure at this point. The main point to research is
the relationship between matter and sound. That even the chair you sit
upon is a composition of form in the present sense yet it is like sound in that
it is in a transitive state at one point will return to the oven. These
concepts will open up your mind if you are ready for it to deeper and deeper
spiritual regions.
CII
20mb
A work that very much sounds like Anonmist. A
great example of Anonmist as art music with strong electric guitar and
microtonal backing synthesizer. Tempo shifting percussion also comes into
play.
CIII
16mb Real art for nothing solid: A microtonal work with
art music as its goal. Listen in to how synthesis has changed the way
microtonality is accomplished and envisioned.
CIV
3mb A cool concept. About taking sections or blocks
of time from the same input source and for each portion using a new sound.
The sound could also be a change in tempo which is also meter. I
want to explore this more in depth in the
future.
CV
65.5mb
A special piece to me because it features a
special piano improvisation in a just scale. Late at night when everything is
quiet even near the city, when peoples minds have stopped frantically arraying
data for no purpose but as a formative drill into another's similar equative
antithesis of humane thinking I made the recording and without a doubt I knew it
was golden. It has been slowed down. A very enjoyable listen. Probably my
closest thing to what I consider jazz. Other instruments are electric
guitar and drums.
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